Este disco me lo ha pedido un "anonimo mexicano" (espero que lo veas) en algun comentario, y aunque me ha costado conseguirlo, aqui esta. No los conocia, pero despues de leer el comentario escuche alguno de sus temas en su myspace, y pense que si veia el disco en algun concierto me lo pillaria. Estuve hace 2 semanas en Barcelona y me lo pille en el concierto de Subterranean Kids. Para los que os gusta la mayoria de lo que posteo, tambien os gustara esto. Ah!, muchas gracias a Dani por pasarme el vinilo a cd y fotografiar la portada y contraportada, que estan incluidas en el rar.
This record was requested by an "anonimo mexicano" in some comment, and although it have take some time to get it, finally it's here. I didn't know'em, but after read the comment, i listened their myspace songs, and thought that if i saw the record in some gig i'll buy it. I was 2 weeks ago in Barcelona seeing Subterranean Kids, and got it from some guy with lots of good records. If you like most of the stuff i post, you'll like this one too. And many thanks to Dani for record the vinyl to cd and make photos of the front and back cover that i 've enclose in the rar.
Let's Grow - Disease Of Modern Times LP
Genre : Hardcore
Year : 2007
Grabber : J River Media Center v.12.0.428
Encoder : lame 3.97
Quality : VBRkbps / 44,1kHz / Joint-Stereo
Songs : 13
Playtime : 18:37 min
Company : Thrashbastard Records
Size : 35,3 MB
Streetdate : 00-000-2007
Url : http://www.myspace.com/letsgrow
Type : Album
Source : Vinyl
Language : English
Catalognr : Thrashbastrd No. 9
mp3 VO
After some years of activity and two 7"s released on US labels like 625 and Know Records, this band from Belgrade, Serbia managed to release their full length album. This is no bullshit, high-energy, great sounding hardcore, taking the best elements of fast US 80's hardcore with good examples of european hardcore without any re-hash and not being stucked in the past. This how real hardcore should sound in 2006, with very good sound, fast tempos but also good amount of diversities in their songs, to keep them kicking through all the 14 songs on the recordings. Yet, this band have definitely lots of attitudes and important things to say. LP released as a cooperation with Thrashbastard Records from Germany. 100 copies out of the first press are released on clear vinyl. (http://www.moonleerecords.com)
Finally, three years after the last release, LETS GROW’s first album is out. The album has 13 songs (officially :)) and perhaps what I like the most about the album, its variety. Everything is packed into the LETS GROW sound, there aren’t any unpleasant jumps or mixing of all and everything but definitely there isn’t the “Ouch! But all the songs are the same!” either. And I think that that variety is exactly what makes the album interestnig to listen to. As for the sound, it’s aggressive, fast and edgy in the LG style but also with rocker parts and in some places subdued rhythms.
The lyrics refer to different themes inspired by various reflections, events and feelings. Some stand for themselves while others have an additional background story, like on previous LG releases.
I like that this is one more HA-KO release (which I also noticed in the Unison’s THE SUM) where the growth of the band is apparent; keeping the old sound but also transforming it into something new, fresh and as far as LG is concerned, more ‘serious’. This is my as much as possible honest opinion while I am listenting to the album and listing through the booklet. (http://www.hakobastards.com/english/release_details.php?id=15)
Let's Grow is a fantastic hardcore band from Belgrade, Serbia, and they have already released 2 7"s from labels such as 625 and Know Records. What we have in this CD is 13 songs of no bullshit, energetic, pissed off hardcore in the vein of 80s USA hardcore. Crucial! (http://www.wakhc.blogspot.com/)
With each release, Serbia's Let's Grow does, indeed, grow as a band. Their new album is called Disease Of Modern Times and it's a dose of ripsaw hardcore punk with rock 'n' roll lead guitar licks. Thrash in different speeds, sometimes opting fot the double-speed blast and they shift easily into circle pit-inspiring breakdowns. Smack in the middle of this album, there's a killer mid-tempo 9 Shocks-style song called "Man Is The Measure". The cover shows a lonely soul, shaded in darkness, staring at a computer screen that says "no new messages" and ties in with other themes of alienation expressed on this album. (Al Quint-MRR-Suburvan Voice)
